FREE DOMESTIC SHIPPING ON MOST PRODUCTS
{"id":6629272912047,"title":"Eventide H3000B (Studio) Ultra-Harmonizer","handle":"eventide-h3000b-studio-ultra-harmonizer","description":"\u003cp\u003eEventide H3000B, The Broadcast and Post Production Specialists Just examine the many differences between an H3000-B and any other audio processor, and you'll see instantly why more radio stations and video post houses use Eventide special effects devices. From its differential balanced XLR inputs and ouputs and professional +4 dBm operating levels to its unique (and uniquely extensive) repertoire of factory presets, the H3000-B gives you a host of essential advantages you just can't get from a \"musician's\" effects processor. Musicians may have hours to spend playing around with parameters and programs to get the sounds they need: Broadcast and post production professionals don't. That's something Eventide has always known, and it shows in every aspect of the H3000-B's design.\u003c\/p\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Complete Audio Special Effects Department In One Box\u003c\/strong\u003e If you can purchase only one digital audio processor for your radio station or post production facility, there's only one way to get all the effects you need without sacrificing quality, convenience and effectiveness - make that unit an Eventide Ultra-Harmonizer H3000-B. For example, the H3000-B is the best pitch changer you can buy at any price. Actually, it's two pitch changers - and both are the best you've ever heard from Eventide, the people who continue to set the standards for glitch-free, full bandwidth pitch shifting. Put H3000-B pitch change programs like Alvin, Java the Hun, Gremlins or Auto-Max on a single voice (it only takes one button) and Presto - your studio or on-air booth is filled with an incredible array of characters. The Broadcast Ultra-Harmonizer's two full-function pitch change channels can operate in phase-locked Stereo, Dual, Layered, or Reverse modes. So, if you can imagine what a Four-Headed Grinchosaurus sounds like, you can create that sound with the H3000-B.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll This And Time Compression Too?\u003c\/strong\u003e You bet - in full bandwidth stereo with phase-compensated mono compatibility. The Ultra-Harmonizer's true stereo pitch change capability is also the heart of its automatic TimeSqueeze function. Just enter your current running time on the numeric keypad, then tell the H3000-B how long you want your program to be. It does all the calculations for you, and automatically controls the speed of most reel-to-reel and cart machines. This single function alone is equivalent to other units costing four times as much.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlus Great-Sounding Reverbs And Effects\u003c\/strong\u003e The range of the H3000-B's factory reverb and effects programs is truly incredible - everything from a simple Locker Room, to Traffic Report (complete with built-in 'copter), Airport Page, Hellverb, Dream Fantasy, St. Peter's.. Even sound effects like Wave and Windstorm. All at a spin of the Knob. Even without its other abilities, the H3000-B's Reverb Factory, Swept Reverb, Swept Combs, Ultra-tap, Long Digiplex® and Dual Digiplex algorithms qualify it as a top-of-the-line reverb\/effects processor - especially when you realize that we've achieved this accessibility and versatility without sacrificing one bit of audio quality.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay And Soft Keys\u003c\/strong\u003e The H3000-B's large, clear 2 line x 40 character LCD readout gives you all the information you need. It's backlit by a bright LED array for excellent visibility. Program and preset names, parameter values, input and output levels and other informatoin are readable at a glance.\n\u003cp\u003eThe four control keys are called Soft Keys because they do different things in each program. To maximize the H3000-B's speed and simplicity of operation, each Soft Key does several things at once: That's the power of Eventide's exclusive Soft Functions software design. The Soft Functions are clearly labelled on the 80 character display. Fo instance, hitting the key below the (Trigger) indicator will send you straight to Planet Zorgon when that preset is loaded.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl And Data Entry\u003c\/strong\u003e First, the good news: You'll seldom if ever have to enter data on the H3000-B's keypad. It's there mainly so that TimeSqueeze can do all the calculations involved in time compression or expansion for you. But when you do know exactly which preset or what parameter values you're looking for, just input them and hit the ENTer button. If you mispunch a digit, hit CXL (Cancel) and try again. Most of the time, you'll use the famous Eventide Harmonizer Knob to dial up a program or finetune its parameters. You can even use the knob to change parameters like feedback, delay time or room size in real time. To \"nudge\" a parameter value or to scroll slowly through the presets, use the Up\/Down buttons at the top right corner of the numeric keypad.\n\u003cp\u003eThe H3000-B also includes extensive MIDI facilities for remote control of programs, presets, parameters and other data. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel Key And Indicators\u003c\/strong\u003e Left and Right (yes, this is a true stereo processor) input levels are always displayed on a pair of tri-color 10 segment LED bar graph meters. To change input or output levels for either channel or both, press the Levels key. The main display changes to show the input and output levels for the left and right channels in dB.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMode Keys\u003c\/strong\u003e Use the Program key to load a program or preset, to save and remove presets, to upload and download presets, over MIDI or to enable remote program change from any MIDI controller.\n\u003cp\u003eWith the Function key you can perform MIDI automation and remote MIDI parameter control. The Parameter key lets you customize any Ultra-Harmonizer program. Each push displays a different group of up to four parameters, which you can then tweak using the Soft Keys and the Knob, the Up\/Down buttons or the numeric keypad. Many H3000-B programs include \"Expert\" parameters which aren't normally displayed, but which let you get deeper into the workings of the program to customize it for special applications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiatonic Pitch Shifting - Another \"First\" From Eventide\u003c\/strong\u003e The H3000-B's unique Diatonic Pitch Shift algorithm produces effects that range from a simple A440 test tone to Singalong in C or Space Music - all designed for instant usability on-air or in the studio. But if you want to use them, keep this function away from the musicians on your staff - they're liable to go wild creating multi-textured vocal backups. Specify a key signature or scale, and Diatonic Pitch Shifting automatically turns any note into a correct triad. Your singing isn't always perfectly in tune? No problem - Quantize mode is designed to correct the output to the nearest even tempered pitch.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull MIDI Implementation\u003c\/strong\u003e \"Oh great, more stuff for musicians only,\" you're thinking. Well, think again, because MIDI (the Musical Instrument Digital Interface) can do a lot for DJs and postproduction engineers too. Things like remote-controlling an H3000-B or automating its operation. Not just program change either but full control over every parameter in real time, including input and output levels and in\/out switching. Forget the name and think of it as a slower, reduced bandwidth RS422 port, and you'll begin to get an idea of the possibilities.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional Modifications\u003c\/strong\u003e\u003cspan\u003e The Ultra-Harmonizer H3000 is now available in three versions. The H3000-B you know about. The \u003c\/span\u003e\u003ca href=\"http:\/\/www.eventidier.com\/profaud\/h3000dsx.htm\"\u003eH3000-D\/SX\u003c\/a\u003e\u003cspan\u003e Studio Ultra-Harmonizer features the Steve Vai Preset Collection, 48 presets designed by guitarist\/producer Vai for Whitesnake's Slip Of The Tongue. The \u003c\/span\u003e\u003ca href=\"http:\/\/www.eventidier.com\/profaud\/h3000dse.htm\"\u003eH3000-D\/SE\u003c\/a\u003e\u003cspan\u003e Studio Enhanced Ultra-Harmonizer's advanced software includes a Vocoder, an Instant Phaser and four more new effects algorithms, plus 175 factory presets. Conversion kits are available to incorporate any or all of these added features and functions into your H3000 - contact Eventide for the details on prices and availability.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDIATONIC SHIFT – A pitch shifter that stays in key\u003c\/li\u003e\n\u003cli\u003eDUAL SHIFT – Two separate pitch shifters\u003c\/li\u003e\n\u003cli\u003eLAYERED SHIFT – Two pitch shifts from one input\u003c\/li\u003e\n\u003cli\u003eSTEREO SHIFT – Mon0-compatible stereo pitch shi?ing (maintains stereo imaging)\u003c\/li\u003e\n\u003cli\u003eREVERSE SHIFT – Backwards-talking pitch shift\u003c\/li\u003e\n\u003cli\u003eSWEPT COMBS – Six sweepable delay lines, with stereo panning\u003c\/li\u003e\n\u003cli\u003eSWEPT REVERE – A dense reverb with smooth sweep capability\u003c\/li\u003e\n\u003cli\u003eREVERB FACTORY – A full-featured reverb with EQ and ?exible gating\u003c\/li\u003e\n\u003cli\u003eULTRA-TAP – Twelve delay taps with full control over panning, level, and delay, Includes a diffusor to generate dense gated reverb effects.\u003c\/li\u003e\n\u003cli\u003eDUAL DIGIPLEX – A stereo delay with smooth delay change\u003c\/li\u003e\n\u003cli\u003eLONG DIGIPLEX – A 1.5 second delay with smooth delay control\u003c\/li\u003e\n\u003cli\u003ePATCH FACTORY – A “modular” efects program which lets you design your own effect. “Pateh” together delay lines, filters and pitch shi?ing to create never-heard-before effects.\u003c\/li\u003e\n\u003cli\u003eSTUTTER – Get that st..st..stutter sound – effortlessly\u003c\/li\u003e\n\u003cli\u003eDENSE ROOM – Our densest reverb, with unique front\/back position control\u003c\/li\u003e\n\u003cli\u003eVOCODER – This is our version of the classic vocoding effect\u003c\/li\u003e\n\u003cli\u003eMULTI-SHIFT – Two six-octave pitch shi?ers, two delays, panning and patchable feedback paths make this program incredibly useful.\u003c\/li\u003e\n\u003cli\u003eBAND DELAY – A multi-tap delay line feeding eight resonant bandpass ?lters make for some sounds like you’ve never heard.\u003c\/li\u003e\n\u003cli\u003eSTRING MODELLER – This program lets the H3000 double as an extra voice in your MIDI rack\u003c\/li\u003e\n\u003cli\u003ePHASER – A wonder?rlly thick, smooth, phase-shifting effect that is hard to beat \u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2021-04-14T01:08:19-04:00","created_at":"2021-04-14T00:57:55-04:00","vendor":"Eventide","type":"Rack Effects Processor","tags":["Effects Processor","Eventide","Eventide H3000B (Studio) Ultra-Harmonizer","Eventide H3000S (Studio) Ultra-Harmonizer","H3000","H3000S Ultra Harmonizer","Outboard Gear","Rack Effect","Rack FX","Rare Effects Processors","Studio Effects Processor","Ultra Harmonizer","Used","Vintage","Vintage Collection","Vintage Effects"],"price":249999,"price_min":249999,"price_max":249999,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39576171872431,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"H3000B","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eventide H3000B (Studio) Ultra-Harmonizer","public_title":null,"options":["Default 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H3000B, The Broadcast and Post Production Specialists Just examine the many differences between an H3000-B and any other audio processor, and you'll see instantly why more radio stations and video post houses use Eventide special effects devices. From its differential balanced XLR inputs and ouputs and professional +4 dBm operating levels to its unique (and uniquely extensive) repertoire of factory presets, the H3000-B gives you a host of essential advantages you just can't get from a \"musician's\" effects processor. Musicians may have hours to spend playing around with parameters and programs to get the sounds they need: Broadcast and post production professionals don't. That's something Eventide has always known, and it shows in every aspect of the H3000-B's design.\u003c\/p\u003e\n\u003cli\u003e\n\u003cstrong\u003eA Complete Audio Special Effects Department In One Box\u003c\/strong\u003e If you can purchase only one digital audio processor for your radio station or post production facility, there's only one way to get all the effects you need without sacrificing quality, convenience and effectiveness - make that unit an Eventide Ultra-Harmonizer H3000-B. For example, the H3000-B is the best pitch changer you can buy at any price. Actually, it's two pitch changers - and both are the best you've ever heard from Eventide, the people who continue to set the standards for glitch-free, full bandwidth pitch shifting. Put H3000-B pitch change programs like Alvin, Java the Hun, Gremlins or Auto-Max on a single voice (it only takes one button) and Presto - your studio or on-air booth is filled with an incredible array of characters. The Broadcast Ultra-Harmonizer's two full-function pitch change channels can operate in phase-locked Stereo, Dual, Layered, or Reverse modes. So, if you can imagine what a Four-Headed Grinchosaurus sounds like, you can create that sound with the H3000-B.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll This And Time Compression Too?\u003c\/strong\u003e You bet - in full bandwidth stereo with phase-compensated mono compatibility. The Ultra-Harmonizer's true stereo pitch change capability is also the heart of its automatic TimeSqueeze function. Just enter your current running time on the numeric keypad, then tell the H3000-B how long you want your program to be. It does all the calculations for you, and automatically controls the speed of most reel-to-reel and cart machines. This single function alone is equivalent to other units costing four times as much.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlus Great-Sounding Reverbs And Effects\u003c\/strong\u003e The range of the H3000-B's factory reverb and effects programs is truly incredible - everything from a simple Locker Room, to Traffic Report (complete with built-in 'copter), Airport Page, Hellverb, Dream Fantasy, St. Peter's.. Even sound effects like Wave and Windstorm. All at a spin of the Knob. Even without its other abilities, the H3000-B's Reverb Factory, Swept Reverb, Swept Combs, Ultra-tap, Long Digiplex® and Dual Digiplex algorithms qualify it as a top-of-the-line reverb\/effects processor - especially when you realize that we've achieved this accessibility and versatility without sacrificing one bit of audio quality.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay And Soft Keys\u003c\/strong\u003e The H3000-B's large, clear 2 line x 40 character LCD readout gives you all the information you need. It's backlit by a bright LED array for excellent visibility. Program and preset names, parameter values, input and output levels and other informatoin are readable at a glance.\n\u003cp\u003eThe four control keys are called Soft Keys because they do different things in each program. To maximize the H3000-B's speed and simplicity of operation, each Soft Key does several things at once: That's the power of Eventide's exclusive Soft Functions software design. The Soft Functions are clearly labelled on the 80 character display. Fo instance, hitting the key below the (Trigger) indicator will send you straight to Planet Zorgon when that preset is loaded.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl And Data Entry\u003c\/strong\u003e First, the good news: You'll seldom if ever have to enter data on the H3000-B's keypad. It's there mainly so that TimeSqueeze can do all the calculations involved in time compression or expansion for you. But when you do know exactly which preset or what parameter values you're looking for, just input them and hit the ENTer button. If you mispunch a digit, hit CXL (Cancel) and try again. Most of the time, you'll use the famous Eventide Harmonizer Knob to dial up a program or finetune its parameters. You can even use the knob to change parameters like feedback, delay time or room size in real time. To \"nudge\" a parameter value or to scroll slowly through the presets, use the Up\/Down buttons at the top right corner of the numeric keypad.\n\u003cp\u003eThe H3000-B also includes extensive MIDI facilities for remote control of programs, presets, parameters and other data. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel Key And Indicators\u003c\/strong\u003e Left and Right (yes, this is a true stereo processor) input levels are always displayed on a pair of tri-color 10 segment LED bar graph meters. To change input or output levels for either channel or both, press the Levels key. The main display changes to show the input and output levels for the left and right channels in dB.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMode Keys\u003c\/strong\u003e Use the Program key to load a program or preset, to save and remove presets, to upload and download presets, over MIDI or to enable remote program change from any MIDI controller.\n\u003cp\u003eWith the Function key you can perform MIDI automation and remote MIDI parameter control. The Parameter key lets you customize any Ultra-Harmonizer program. Each push displays a different group of up to four parameters, which you can then tweak using the Soft Keys and the Knob, the Up\/Down buttons or the numeric keypad. Many H3000-B programs include \"Expert\" parameters which aren't normally displayed, but which let you get deeper into the workings of the program to customize it for special applications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiatonic Pitch Shifting - Another \"First\" From Eventide\u003c\/strong\u003e The H3000-B's unique Diatonic Pitch Shift algorithm produces effects that range from a simple A440 test tone to Singalong in C or Space Music - all designed for instant usability on-air or in the studio. But if you want to use them, keep this function away from the musicians on your staff - they're liable to go wild creating multi-textured vocal backups. Specify a key signature or scale, and Diatonic Pitch Shifting automatically turns any note into a correct triad. Your singing isn't always perfectly in tune? No problem - Quantize mode is designed to correct the output to the nearest even tempered pitch.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull MIDI Implementation\u003c\/strong\u003e \"Oh great, more stuff for musicians only,\" you're thinking. Well, think again, because MIDI (the Musical Instrument Digital Interface) can do a lot for DJs and postproduction engineers too. Things like remote-controlling an H3000-B or automating its operation. Not just program change either but full control over every parameter in real time, including input and output levels and in\/out switching. Forget the name and think of it as a slower, reduced bandwidth RS422 port, and you'll begin to get an idea of the possibilities.\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional Modifications\u003c\/strong\u003e\u003cspan\u003e The Ultra-Harmonizer H3000 is now available in three versions. The H3000-B you know about. The \u003c\/span\u003e\u003ca href=\"http:\/\/www.eventidier.com\/profaud\/h3000dsx.htm\"\u003eH3000-D\/SX\u003c\/a\u003e\u003cspan\u003e Studio Ultra-Harmonizer features the Steve Vai Preset Collection, 48 presets designed by guitarist\/producer Vai for Whitesnake's Slip Of The Tongue. The \u003c\/span\u003e\u003ca href=\"http:\/\/www.eventidier.com\/profaud\/h3000dse.htm\"\u003eH3000-D\/SE\u003c\/a\u003e\u003cspan\u003e Studio Enhanced Ultra-Harmonizer's advanced software includes a Vocoder, an Instant Phaser and four more new effects algorithms, plus 175 factory presets. Conversion kits are available to incorporate any or all of these added features and functions into your H3000 - contact Eventide for the details on prices and availability.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSpecification\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDIATONIC SHIFT – A pitch shifter that stays in key\u003c\/li\u003e\n\u003cli\u003eDUAL SHIFT – Two separate pitch shifters\u003c\/li\u003e\n\u003cli\u003eLAYERED SHIFT – Two pitch shifts from one input\u003c\/li\u003e\n\u003cli\u003eSTEREO SHIFT – Mon0-compatible stereo pitch shi?ing (maintains stereo imaging)\u003c\/li\u003e\n\u003cli\u003eREVERSE SHIFT – Backwards-talking pitch shift\u003c\/li\u003e\n\u003cli\u003eSWEPT COMBS – Six sweepable delay lines, with stereo panning\u003c\/li\u003e\n\u003cli\u003eSWEPT REVERE – A dense reverb with smooth sweep capability\u003c\/li\u003e\n\u003cli\u003eREVERB FACTORY – A full-featured reverb with EQ and ?exible gating\u003c\/li\u003e\n\u003cli\u003eULTRA-TAP – Twelve delay taps with full control over panning, level, and delay, Includes a diffusor to generate dense gated reverb effects.\u003c\/li\u003e\n\u003cli\u003eDUAL DIGIPLEX – A stereo delay with smooth delay change\u003c\/li\u003e\n\u003cli\u003eLONG DIGIPLEX – A 1.5 second delay with smooth delay control\u003c\/li\u003e\n\u003cli\u003ePATCH FACTORY – A “modular” efects program which lets you design your own effect. “Pateh” together delay lines, filters and pitch shi?ing to create never-heard-before effects.\u003c\/li\u003e\n\u003cli\u003eSTUTTER – Get that st..st..stutter sound – effortlessly\u003c\/li\u003e\n\u003cli\u003eDENSE ROOM – Our densest reverb, with unique front\/back position control\u003c\/li\u003e\n\u003cli\u003eVOCODER – This is our version of the classic vocoding effect\u003c\/li\u003e\n\u003cli\u003eMULTI-SHIFT – Two six-octave pitch shi?ers, two delays, panning and patchable feedback paths make this program incredibly useful.\u003c\/li\u003e\n\u003cli\u003eBAND DELAY – A multi-tap delay line feeding eight resonant bandpass ?lters make for some sounds like you’ve never heard.\u003c\/li\u003e\n\u003cli\u003eSTRING MODELLER – This program lets the H3000 double as an extra voice in your MIDI rack\u003c\/li\u003e\n\u003cli\u003ePHASER – A wonder?rlly thick, smooth, phase-shifting effect that is hard to beat \u003c\/li\u003e\n\u003c\/ul\u003e"}

Eventide H3000B (Studio) Ultra-Harmonizer

Product Description

Eventide H3000B, The Broadcast and Post Production Specialists Just examine the many differences between an H3000-B and any other audio processor, and you'll see instantly why more radio stations and video post houses use Eventide special effects devices. From its differential balanced XLR inputs and ouputs and professional +4 dBm operating levels to its unique (and uniquely extensive) repertoire of factory presets, the H3000-B gives you a host of essential advantages you just can't get from a "musician's" effects processor. Musicians may have hours to spend playing around with parameters and programs to get the sounds they need: Broadcast and post production professionals don't. That's something Eventide has always known, and it shows in every aspect of the H3000-B's design.

  • A Complete Audio Special Effects Department In One Box If you can purchase only one digital audio processor for your radio station or post production facility, there's only one way to get all the effects you need without sacrificing quality, convenience and effectiveness - make that unit an Eventide Ultra-Harmonizer H3000-B. For example, the H3000-B is the best pitch changer you can buy at any price. Actually, it's two pitch changers - and both are the best you've ever heard from Eventide, the people who continue to set the standards for glitch-free, full bandwidth pitch shifting. Put H3000-B pitch change programs like Alvin, Java the Hun, Gremlins or Auto-Max on a single voice (it only takes one button) and Presto - your studio or on-air booth is filled with an incredible array of characters. The Broadcast Ultra-Harmonizer's two full-function pitch change channels can operate in phase-locked Stereo, Dual, Layered, or Reverse modes. So, if you can imagine what a Four-Headed Grinchosaurus sounds like, you can create that sound with the H3000-B.

     

  • All This And Time Compression Too? You bet - in full bandwidth stereo with phase-compensated mono compatibility. The Ultra-Harmonizer's true stereo pitch change capability is also the heart of its automatic TimeSqueeze function. Just enter your current running time on the numeric keypad, then tell the H3000-B how long you want your program to be. It does all the calculations for you, and automatically controls the speed of most reel-to-reel and cart machines. This single function alone is equivalent to other units costing four times as much.

     

  • Plus Great-Sounding Reverbs And Effects The range of the H3000-B's factory reverb and effects programs is truly incredible - everything from a simple Locker Room, to Traffic Report (complete with built-in 'copter), Airport Page, Hellverb, Dream Fantasy, St. Peter's.. Even sound effects like Wave and Windstorm. All at a spin of the Knob. Even without its other abilities, the H3000-B's Reverb Factory, Swept Reverb, Swept Combs, Ultra-tap, Long Digiplex® and Dual Digiplex algorithms qualify it as a top-of-the-line reverb/effects processor - especially when you realize that we've achieved this accessibility and versatility without sacrificing one bit of audio quality.

     

  • Display And Soft Keys The H3000-B's large, clear 2 line x 40 character LCD readout gives you all the information you need. It's backlit by a bright LED array for excellent visibility. Program and preset names, parameter values, input and output levels and other informatoin are readable at a glance.

    The four control keys are called Soft Keys because they do different things in each program. To maximize the H3000-B's speed and simplicity of operation, each Soft Key does several things at once: That's the power of Eventide's exclusive Soft Functions software design. The Soft Functions are clearly labelled on the 80 character display. Fo instance, hitting the key below the (Trigger) indicator will send you straight to Planet Zorgon when that preset is loaded.

     

  • Control And Data Entry First, the good news: You'll seldom if ever have to enter data on the H3000-B's keypad. It's there mainly so that TimeSqueeze can do all the calculations involved in time compression or expansion for you. But when you do know exactly which preset or what parameter values you're looking for, just input them and hit the ENTer button. If you mispunch a digit, hit CXL (Cancel) and try again. Most of the time, you'll use the famous Eventide Harmonizer Knob to dial up a program or finetune its parameters. You can even use the knob to change parameters like feedback, delay time or room size in real time. To "nudge" a parameter value or to scroll slowly through the presets, use the Up/Down buttons at the top right corner of the numeric keypad.

    The H3000-B also includes extensive MIDI facilities for remote control of programs, presets, parameters and other data. 

  • Level Key And Indicators Left and Right (yes, this is a true stereo processor) input levels are always displayed on a pair of tri-color 10 segment LED bar graph meters. To change input or output levels for either channel or both, press the Levels key. The main display changes to show the input and output levels for the left and right channels in dB.

     

  • Mode Keys Use the Program key to load a program or preset, to save and remove presets, to upload and download presets, over MIDI or to enable remote program change from any MIDI controller.

    With the Function key you can perform MIDI automation and remote MIDI parameter control. The Parameter key lets you customize any Ultra-Harmonizer program. Each push displays a different group of up to four parameters, which you can then tweak using the Soft Keys and the Knob, the Up/Down buttons or the numeric keypad. Many H3000-B programs include "Expert" parameters which aren't normally displayed, but which let you get deeper into the workings of the program to customize it for special applications.

  • Diatonic Pitch Shifting - Another "First" From Eventide The H3000-B's unique Diatonic Pitch Shift algorithm produces effects that range from a simple A440 test tone to Singalong in C or Space Music - all designed for instant usability on-air or in the studio. But if you want to use them, keep this function away from the musicians on your staff - they're liable to go wild creating multi-textured vocal backups. Specify a key signature or scale, and Diatonic Pitch Shifting automatically turns any note into a correct triad. Your singing isn't always perfectly in tune? No problem - Quantize mode is designed to correct the output to the nearest even tempered pitch.

     

  • Full MIDI Implementation "Oh great, more stuff for musicians only," you're thinking. Well, think again, because MIDI (the Musical Instrument Digital Interface) can do a lot for DJs and postproduction engineers too. Things like remote-controlling an H3000-B or automating its operation. Not just program change either but full control over every parameter in real time, including input and output levels and in/out switching. Forget the name and think of it as a slower, reduced bandwidth RS422 port, and you'll begin to get an idea of the possibilities.

     

  • Optional Modifications The Ultra-Harmonizer H3000 is now available in three versions. The H3000-B you know about. The H3000-D/SX Studio Ultra-Harmonizer features the Steve Vai Preset Collection, 48 presets designed by guitarist/producer Vai for Whitesnake's Slip Of The Tongue. The H3000-D/SE Studio Enhanced Ultra-Harmonizer's advanced software includes a Vocoder, an Instant Phaser and four more new effects algorithms, plus 175 factory presets. Conversion kits are available to incorporate any or all of these added features and functions into your H3000 - contact Eventide for the details on prices and availability.

  •  

    Specification

    • DIATONIC SHIFT – A pitch shifter that stays in key
    • DUAL SHIFT – Two separate pitch shifters
    • LAYERED SHIFT – Two pitch shifts from one input
    • STEREO SHIFT – Mon0-compatible stereo pitch shi?ing (maintains stereo imaging)
    • REVERSE SHIFT – Backwards-talking pitch shift
    • SWEPT COMBS – Six sweepable delay lines, with stereo panning
    • SWEPT REVERE – A dense reverb with smooth sweep capability
    • REVERB FACTORY – A full-featured reverb with EQ and ?exible gating
    • ULTRA-TAP – Twelve delay taps with full control over panning, level, and delay, Includes a diffusor to generate dense gated reverb effects.
    • DUAL DIGIPLEX – A stereo delay with smooth delay change
    • LONG DIGIPLEX – A 1.5 second delay with smooth delay control
    • PATCH FACTORY – A “modular” efects program which lets you design your own effect. “Pateh” together delay lines, filters and pitch shi?ing to create never-heard-before effects.
    • STUTTER – Get that st..st..stutter sound – effortlessly
    • DENSE ROOM – Our densest reverb, with unique front/back position control
    • VOCODER – This is our version of the classic vocoding effect
    • MULTI-SHIFT – Two six-octave pitch shi?ers, two delays, panning and patchable feedback paths make this program incredibly useful.
    • BAND DELAY – A multi-tap delay line feeding eight resonant bandpass ?lters make for some sounds like you’ve never heard.
    • STRING MODELLER – This program lets the H3000 double as an extra voice in your MIDI rack
    • PHASER – A wonder?rlly thick, smooth, phase-shifting effect that is hard to beat 
    $2,499.99
    Maximum quantity available reached.