{"id":7446490775785,"title":"Strymon DIG Dual Digital Delay Pedal","handle":"strymon-dig-dual-digital-delay-pedal","description":"\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"408d083c\" class=\"elementor-element elementor-element-408d083c elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"111761a2\" class=\"elementor-element elementor-element-111761a2 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eDelay Doppelgänger\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6e8a605f\" class=\"elementor-element elementor-element-6e8a605f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eDIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.\u003c\/p\u003e\n\u003cp\u003eEffortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRack to the Future.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6ff271db\" class=\"elementor-element elementor-element-6ff271db elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eRack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.\u003c\/p\u003e\n\u003cp\u003eOur thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24\/96 mode.\u003c\/p\u003e\n\u003cp\u003eMultiply these distinct voicings by two and get DIG—your perfect dual delay ally.\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"173ea92\" class=\"elementor-element elementor-element-173ea92 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eTwo Simultaneous, Integrated Delays.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"511d775\" class=\"elementor-element elementor-element-511d775 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eDELAY 1 – The Master Delay.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6b58ba3\" class=\"elementor-element elementor-element-6b58ba3 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eFree-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch.\u003c\/p\u003e\n\u003cp\u003eLonger delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"82b16f7\" class=\"elementor-element elementor-element-82b16f7 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eDELAY 2 – The Companion Delay.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"f1db740\" class=\"elementor-element elementor-element-f1db740 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eSet the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio.\u003c\/p\u003e\n\u003cp\u003eDon’t want synchronization? Engage Free Mode to disable subdivisions and allow Delay 2 to be its own independent, free-running delay. Dial in short delay times for chorus\/flange sounds to run alongside Delay 1.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDon’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s was advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions achieved pristine delays that posess some unintended, unique characteristics as they sought to overcome the limitations of the conversion processes. Our careful study of digital delay technology reveals their individual personalities.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"75a6eb52\" class=\"elementor-element elementor-element-75a6eb52 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"de41b2f\" class=\"elementor-element elementor-element-de41b2f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eADM\u003c\/strong\u003e – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis\/ deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12 bit \u003c\/strong\u003e– A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis\/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24\/96\u003c\/strong\u003e – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo simultaneous, integrated delays, with unique digital rack delay voicings\u003c\/li\u003e\n\u003cli\u003eFive dual delay adjustment and tone shaping knobs: \u003cstrong\u003eTime, Time 2, Mix, Mix 2, Repeats\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eOne modern and two classic digital delay voicings: \u003cstrong\u003e24\/96, adm, 12 bit\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eFive rhythmic subdivisions: \u003cstrong\u003eTriplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eThree choices for delay line modulation: \u003cstrong\u003eOff, Light, Deep\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eFive “hidden” knobs for deep dual delay control: \u003cstrong\u003eDelay 1 Subdivision, Sync\/Free Mode, Filter, Config, Delay 2 Repeats\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable \u003cstrong\u003eFree Mode \u003c\/strong\u003edisables subdivisions and synchronization\u003c\/li\u003e\n\u003cli\u003ePress and hold \u003cstrong\u003eCircular Repeats \u003c\/strong\u003eeffect\u003c\/li\u003e\n\u003cli\u003e20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision)\u003c\/li\u003e\n\u003cli\u003eHigh impedance mono input, with selectable \u003cstrong\u003eTRS stereo input\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eThree signal routing configurations: \u003cstrong\u003eSeries, Parallel, Ping Pong\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTap tempo \u003c\/strong\u003eand Bypass footswitches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpression pedal input \u003c\/strong\u003eallows the connection of either an expression pedal (for selectable control over any knob parameter), \u003cstrong\u003eexternal tap \u003c\/strong\u003epedal (for remote control of tempo), or \u003cstrong\u003eFavorite switch \u003c\/strong\u003e(to save a Favorite preset)\u003c\/li\u003e\n\u003cli\u003eSuper low noise, high performance \u003cstrong\u003e24-bit 96kHz \u003c\/strong\u003eA\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e115db typical signal to noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog dry path \u003c\/strong\u003efor a zero latency dry signal that is never converted to digital\u003c\/li\u003e\n\u003cli\u003e+8dBu maximum input level easily handles instrument and line signals\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20Hz to 20kHz \u003c\/strong\u003efrequency response\u003c\/li\u003e\n\u003cli\u003ePremium analog front end and output section\u003c\/li\u003e\n\u003cli\u003eSuper high performance \u003cstrong\u003eSHARC DSP \u003c\/strong\u003ein a compact form factor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Bypass \u003c\/strong\u003e(electromechanical relay switching)\u003c\/li\u003e\n\u003cli\u003eSelectable \u003cstrong\u003eTrails Mode \u003c\/strong\u003ewith high quality, transparent \u003cstrong\u003eAnalog Buffered Bypass \u003c\/strong\u003emode\u003c\/li\u003e\n\u003cli\u003e9V center negative DC power supply included, 250mA current draw\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized carnation pink chassis\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned and built in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"section-3\"\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"material textual half bottomonly\"\u003e\n\u003cdiv class=\"limittext\"\u003e\n\u003cdiv class=\"segments\" id=\"section-10\"\u003e\n\u003csection class=\"whitebg nopadding\"\u003e\n\u003cdiv class=\"inside-wrap\"\u003e\n\u003cdiv class=\"titlebar\"\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","published_at":"2021-11-13T01:02:59-05:00","created_at":"2021-11-13T00:57:20-05:00","vendor":"Strymon","type":"Delay","tags":["Analog Delay","Brigadier dBucket Delay","Bucket Delay","dBucket Delay","Digital Delay","Effects","Guitar Pedals","Strymon"],"price":29900,"price_min":29900,"price_max":29900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42050147778793,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Z12A-5DIG","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon DIG Dual Digital Delay Pedal","public_title":null,"options":["Default Title"],"price":29900,"weight":907,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-1.jpg?v=1636783364","\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-2.jpg?v=1636783364","\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-3.jpg?v=1636783364"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-1.jpg?v=1636783364","options":["Title"],"media":[{"alt":null,"id":26920570749161,"position":1,"preview_image":{"aspect_ratio":1.226,"height":1550,"width":1900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-1.jpg?v=1636783364"},"aspect_ratio":1.226,"height":1550,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-1.jpg?v=1636783364","width":1900},{"alt":null,"id":26920570781929,"position":2,"preview_image":{"aspect_ratio":1.226,"height":1550,"width":1900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-2.jpg?v=1636783364"},"aspect_ratio":1.226,"height":1550,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-2.jpg?v=1636783364","width":1900},{"alt":null,"id":26920570814697,"position":3,"preview_image":{"aspect_ratio":1.226,"height":1550,"width":1900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-3.jpg?v=1636783364"},"aspect_ratio":1.226,"height":1550,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1699\/1203\/products\/Strymon-Dig-Dual-Digital-Delay-Effects-Pedal-Image-3.jpg?v=1636783364","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"408d083c\" class=\"elementor-element elementor-element-408d083c elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"111761a2\" class=\"elementor-element elementor-element-111761a2 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eDelay Doppelgänger\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6e8a605f\" class=\"elementor-element elementor-element-6e8a605f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eDIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.\u003c\/p\u003e\n\u003cp\u003eEffortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRack to the Future.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6ff271db\" class=\"elementor-element elementor-element-6ff271db elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eRack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.\u003c\/p\u003e\n\u003cp\u003eOur thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24\/96 mode.\u003c\/p\u003e\n\u003cp\u003eMultiply these distinct voicings by two and get DIG—your perfect dual delay ally.\u003c\/p\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"173ea92\" class=\"elementor-element elementor-element-173ea92 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eTwo Simultaneous, Integrated Delays.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"511d775\" class=\"elementor-element elementor-element-511d775 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eDELAY 1 – The Master Delay.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"6b58ba3\" class=\"elementor-element elementor-element-6b58ba3 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eFree-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch.\u003c\/p\u003e\n\u003cp\u003eLonger delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"82b16f7\" class=\"elementor-element elementor-element-82b16f7 elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eDELAY 2 – The Companion Delay.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"f1db740\" class=\"elementor-element elementor-element-f1db740 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eSet the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio.\u003c\/p\u003e\n\u003cp\u003eDon’t want synchronization? Engage Free Mode to disable subdivisions and allow Delay 2 to be its own independent, free-running delay. Dial in short delay times for chorus\/flange sounds to run alongside Delay 1.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDon’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s was advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions achieved pristine delays that posess some unintended, unique characteristics as they sought to overcome the limitations of the conversion processes. Our careful study of digital delay technology reveals their individual personalities.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"75a6eb52\" class=\"elementor-element elementor-element-75a6eb52 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"de41b2f\" class=\"elementor-element elementor-element-de41b2f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eADM\u003c\/strong\u003e – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis\/ deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12 bit \u003c\/strong\u003e– A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis\/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24\/96\u003c\/strong\u003e – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo simultaneous, integrated delays, with unique digital rack delay voicings\u003c\/li\u003e\n\u003cli\u003eFive dual delay adjustment and tone shaping knobs: \u003cstrong\u003eTime, Time 2, Mix, Mix 2, Repeats\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eOne modern and two classic digital delay voicings: \u003cstrong\u003e24\/96, adm, 12 bit\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eFive rhythmic subdivisions: \u003cstrong\u003eTriplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eThree choices for delay line modulation: \u003cstrong\u003eOff, Light, Deep\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eFive “hidden” knobs for deep dual delay control: \u003cstrong\u003eDelay 1 Subdivision, Sync\/Free Mode, Filter, Config, Delay 2 Repeats\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSelectable \u003cstrong\u003eFree Mode \u003c\/strong\u003edisables subdivisions and synchronization\u003c\/li\u003e\n\u003cli\u003ePress and hold \u003cstrong\u003eCircular Repeats \u003c\/strong\u003eeffect\u003c\/li\u003e\n\u003cli\u003e20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision)\u003c\/li\u003e\n\u003cli\u003eHigh impedance mono input, with selectable \u003cstrong\u003eTRS stereo input\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo output\u003c\/li\u003e\n\u003cli\u003eThree signal routing configurations: \u003cstrong\u003eSeries, Parallel, Ping Pong\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTap tempo \u003c\/strong\u003eand Bypass footswitches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpression pedal input \u003c\/strong\u003eallows the connection of either an expression pedal (for selectable control over any knob parameter), \u003cstrong\u003eexternal tap \u003c\/strong\u003epedal (for remote control of tempo), or \u003cstrong\u003eFavorite switch \u003c\/strong\u003e(to save a Favorite preset)\u003c\/li\u003e\n\u003cli\u003eSuper low noise, high performance \u003cstrong\u003e24-bit 96kHz \u003c\/strong\u003eA\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e115db typical signal to noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog dry path \u003c\/strong\u003efor a zero latency dry signal that is never converted to digital\u003c\/li\u003e\n\u003cli\u003e+8dBu maximum input level easily handles instrument and line signals\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20Hz to 20kHz \u003c\/strong\u003efrequency response\u003c\/li\u003e\n\u003cli\u003ePremium analog front end and output section\u003c\/li\u003e\n\u003cli\u003eSuper high performance \u003cstrong\u003eSHARC DSP \u003c\/strong\u003ein a compact form factor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Bypass \u003c\/strong\u003e(electromechanical relay switching)\u003c\/li\u003e\n\u003cli\u003eSelectable \u003cstrong\u003eTrails Mode \u003c\/strong\u003ewith high quality, transparent \u003cstrong\u003eAnalog Buffered Bypass \u003c\/strong\u003emode\u003c\/li\u003e\n\u003cli\u003e9V center negative DC power supply included, 250mA current draw\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized carnation pink chassis\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned and built in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"section-3\"\u003e\n\u003csection\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"material textual half bottomonly\"\u003e\n\u003cdiv class=\"limittext\"\u003e\n\u003cdiv class=\"segments\" id=\"section-10\"\u003e\n\u003csection class=\"whitebg nopadding\"\u003e\n\u003cdiv class=\"inside-wrap\"\u003e\n\u003cdiv class=\"titlebar\"\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cdiv class=\"material textual twothirds 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Strymon DIG Dual Digital Delay Pedal

Product Description

Delay Doppelgänger

DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.

Rack to the Future.

Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

Multiply these distinct voicings by two and get DIG—your perfect dual delay ally.

Two Simultaneous, Integrated Delays.

DELAY 1 – The Master Delay.

Free-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch.

Longer delay times lend themselves to more ambient soundscapes while doubling and slapback effects can be achieved at short delay times.

DELAY 2 – The Companion Delay.

Set the ratio between the two delays with one of five rhythmic subdivisions: triplet, eighth note, dotted eighth note, dotted quarter note, and the golden ratio.

Don’t want synchronization? Engage Free Mode to disable subdivisions and allow Delay 2 to be its own independent, free-running delay. Dial in short delay times for chorus/flange sounds to run alongside Delay 1.

Don’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s was advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions achieved pristine delays that posess some unintended, unique characteristics as they sought to overcome the limitations of the conversion processes. Our careful study of digital delay technology reveals their individual personalities.


  • ADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/ deemphasis create a percussive wide-band delay that adds more character when input dynamics increase.
  • 12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.
  • 24/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.



Features

  • Two simultaneous, integrated delays, with unique digital rack delay voicings
  • Five dual delay adjustment and tone shaping knobs: Time, Time 2, Mix, Mix 2, Repeats
  • One modern and two classic digital delay voicings: 24/96, adm, 12 bit
  • Five rhythmic subdivisions: Triplet, Eighth, Golden Ratio, Dotted Eighth, Dotted Quarter
  • Three choices for delay line modulation: Off, Light, Deep
  • Five “hidden” knobs for deep dual delay control: Delay 1 Subdivision, Sync/Free Mode, Filter, Config, Delay 2 Repeats
  • Selectable Free Mode disables subdivisions and synchronization
  • Press and hold Circular Repeats effect
  • 20ms – 1.6s delay range (40ms – 3.2s with Half Note Delay 1 Subdivision)
  • High impedance mono input, with selectable TRS stereo input
  • Stereo output
  • Three signal routing configurations: Series, Parallel, Ping Pong
  • Tap tempo and Bypass footswitches
  • Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tempo), or Favorite switch (to save a Favorite preset)
  • Super low noise, high performance 24-bit 96kHz A/D and D/A converters
  • 115db typical signal to noise
  • Analog dry path for a zero latency dry signal that is never converted to digital
  • +8dBu maximum input level easily handles instrument and line signals
  • 20Hz to 20kHz frequency response
  • Premium analog front end and output section
  • Super high performance SHARC DSP in a compact form factor
  • 32-bit floating point processing
  • True Bypass (electromechanical relay switching)
  • Selectable Trails Mode with high quality, transparent Analog Buffered Bypass mode
  • 9V center negative DC power supply included, 250mA current draw
  • Strong and lightweight anodized carnation pink chassis
  • Designed and built in the USA
    $299.00
    Maximum quantity available reached.